DMTNT 2011 |
And to kick off our return, I'm happy to post some photos from a recent shoot I did for a good friend's band DMTNT This duo turn out some pretty intense electronic metal which sounds pretty amazing. I totally dig their adventurous soundscapes that are both technical and challenging while just skirting the edge of aural overload. You really should check out their tracks but to get the full effect you really have to see them perform live.
I instantly knew going into this shoot was that I wanted to pay homage another electro/guitar shredding duo whom I'm really big into: RATATAT.
Ratatat |
Normally I like to go into any shoot having already worked out any technical unknowns. It looks bad when you show up for a shoot and don't have the slightest idea how you're going to get the image. But when you're working with friends, sometimes you just want to try things without worrying about how unprofessional it might look. If ever there is a time to make mistakes and try to learn a new process, this is the time to do it right?
This shoot was challenging in that I'd never shot a photo where the main source of light was from a projector. There were some instant unknowns like just how much light does a projector put out? Will I have to shoot super wide open and still only be able to hope for 1/4 sec shutter speed? Then there were conceptual issues to work out. I knew from the beginning that I wanted to project a barcode, but somewhere between first concept of the photo to execution, I had complicated the idea by wanting to project weird color charts, or old Magnum press b&w photos. Once I tested out all these alternate ideas and found them all to suck and returned the original concept, it all just clicked. Not only was the graphic quality of the black and white lines eye catching, but it was a far more symbolically appropriate image that fit better than any of the other images that night.
This shoot was challenging in that I'd never shot a photo where the main source of light was from a projector. There were some instant unknowns like just how much light does a projector put out? Will I have to shoot super wide open and still only be able to hope for 1/4 sec shutter speed? Then there were conceptual issues to work out. I knew from the beginning that I wanted to project a barcode, but somewhere between first concept of the photo to execution, I had complicated the idea by wanting to project weird color charts, or old Magnum press b&w photos. Once I tested out all these alternate ideas and found them all to suck and returned the original concept, it all just clicked. Not only was the graphic quality of the black and white lines eye catching, but it was a far more symbolically appropriate image that fit better than any of the other images that night.
early reject |
After nailing the money shot, I had 2 more portraits I wanted to do for the fellas:
And that's it! It was a fun night full of learning and making some killer photos. A big thanks to DMTNT for being super chill and hugely patient while working out the technical details of the shoot on the spot and for being able to hang for hours until we got it in the can. Check out DMTNT's music and be sure to check back here on the blog as I have much to catch up on and plan to be posting more in the coming days/weeks.
It feels good to be back!
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